Archive for April, 2010

Polygon Print Series #1

Thursday, April 22nd, 2010


Tim Biskup grows ever so slowly more talented.

I’d dash them to pieces if I could get my arms free

Wednesday, April 21st, 2010

Rob_Sato-Pastoral_in_a_Future_Passed. Click for large version.

Pastoral in a Future Passed by Rob Sato.

Hot Diggity Dog

Wednesday, April 7th, 2010


Nouar’s edible world of art is round and colorful,  childlike, anthropomorphic and cannibalistic. Also, it makes me laugh.

Venice Beach

Monday, April 5th, 2010


by Paul Torres.

Headlights in the deep

Sunday, April 4th, 2010

Martin_Wittfooth-Sandcastles_in_the_Tide. Click for larger version.

Prolific artist Martin Wittfooth uses animals and human artifacts to create moody paintings which inspire a feeling of emptiness and desolation, worlds of decay where cranky, suspicious, or indifferent chimeras roam though 20th century ruins. Shown above: “Sandcastles in the Tide”.

Ship me back home from a secret location

Saturday, April 3rd, 2010

Markku_Lahdesmaki-Robot_Series. Click for a larger version.

In general I prefer not to bother readers of this blog with personal entries: the artwork I post is far more interesting than anything happening in my life, and twitter is a much better place to find out what people had for lunch. That said, I’ve been absent from the blog so often that an explanation (or at least some BS excuse) seems in order. Also, I’ve gotten some emails wondering if my obsession for dangerous fish finally took me down.

That is, however, not the case. I’m fine-ish. I’ve just been slaving away in my not-so-dank arbitrage cave, obsessing about numbers and algorithms until my head cries our for sweet liquid relief, coffee or beer or what can you bring me? I tend towards the lazy, simple life, so I build these extrodinarily complicated tools to save me from thinking and effort. Problem is, creating those tools isn’t so simple. The savings from my labor saving devices are supposed to pan out in the long run, but everyone knows what happens in the long run.

At any rate I feel ready to emerge from my coding-cave and step back in the world of color and image. Hopefully my devices are now are ready to be left to their own devices, we shall see.

Shown above: a photo from the Robot Series by photographer Markku Lahdesmaki.